小小孩

人與紙偶揉合了豐美的意象,起伏之間掀起慾念人形

創作靈感來自鹿橋「人子」書中「明還」篇章,意境優美而又寓意十足。透過單一素材—紙的使用,賦予展現獨特生命樣態的過程。經過反覆的實驗和嘗試,一張素白的大紙發揮了它神奇的力量:從最初起皺造山,一會兒變成時間河流;在起伏之間掀起慾念人形,出現初見世面的純真,又一會這張紙則變成了垂幕的童年記憶,流動著幽谷玩伴的投影。而夢幻式的音樂更開啟了甜美、愉悅、調皮和好玩的簡單快樂;紙幕一升,又是另一場星星閃爍、螢蟲飛舞的燈光秀。豐富的燈光、畫面和音樂語彙,突顯了生命躍動的張力,意象豐美!

兩廳院「新點子實驗劇展」參演節目
觀眾對象:10+
表演形式:執頭偶、影偶與真人共同演出
首演:2003年10月30日 台北國家戲劇院實驗劇場

製作人│李筆美
導演│鄭嘉音
腳本構成│陳惠晴、李筆美
戲偶設計│石佩玉
音樂設計│陳 揚
舞台設計│黃怡儒
服裝設計│橘子淇淇
燈光設計│王天宏
舞台監督│楊淑雯
戲偶製作│石佩玉、鄭嘉音、曾麗真
攝影│李銘訓、林勝發
演員│曾麗真、薛美華、吳樹忠、柯世華

 

 

 

Little Little Kid

In the ups and downs of the crumpling paper, life is conceived from innocence and lust

The inspiration of the play comes from writer Lu-chiao’s “Ren Zi ”. The general concept is to signify a unique state of life through a single form of material: paper. By repeated experiments and attempts, a vast piece of blank paper is given magical power. It is first folded and made into a mountain, then into a river of time; in the ups and downs of the crumpling, the paper is turned into various shapes of a person, from a child’s innocence at one moment to an elder’s reminiscence of his/her youth. The paper is a flux of projections; it is projected with desires in the valley of emotions and memories. On the other hand, the otherworldly music opens a sweet, delightful, wicked, and playful world of sounds. Once the paper curtain is raised, a festival of shining stars and dancing fireflies comes to life. With ample lights, colorful pictures and rich melodic expressions, this play highlights the intensity of life by its ever fresh images.

Program of “New Idea Festival”of National Theater
Premiere: Oct. 30, 2003 / Experimental Theater, Taipei
Dramaturgy: Bee-may LI, Huei-ching CHEN
Director: Chia-yin CHENG